Wide Open Walls: the return pt.2 – an interview with Lawrence Williams

Continuing on from our recent interview with Eelus, the curator of Wide Open Walls, today we feature an interview with the brains behind the whole project (and magus of Makasutu and Ballabu amongst other things), Lawrence Williams. We spoke to Lawrence before the event about the not-inconsiderable task of assembling 8 street artists of such renown in The Gambia and hwat he envisaged for the project. That they produced such a brilliant collection of installations is testament both to the artist’s tenacity and to Lawrence’s drive. We find out here the trials and tribulations and the hopes for next year’s project – which is already halfway to fruition!

Keep up to date with all happenings on the WOW Facebook page, and the WOW blog.

Lucy McLauchlan at work

Lucy McLauchlan at work. Image by {link:http://www.flickr.com/photos/eelus/5123518962/in/pool-1581914@N22/}Eelus{/link}

TGB: So from this distance, how did you feel the whole project went?

Lawrence: On the whole I think it was a great success. The village of Kubuneh has been changed in such a massive way, and to see the reaction of the villagers, from the Elders down to the children was fantastic. The whole village turned out on the final day to show their support, and there were speeches from the elders, dancing and drumming and a general air of excitement about what had happened to their village. Everyone was so proud of what had been achieved there, and also the fact that their sleepy back water village was on the map finally, not just in The Gambia, but around the world people know the name of Kubuneh. It was a really special end to the project.

TGB: Do you think you and the artists achieved everything you set out to achieve? Would you do anything different next time?

Lawrence: A lot of amazing work went up in a fairly short space of time, but the heat was a constant factor that the whole team was battling against. It would have been nice to have got greater coverage in the village, but it was just not possible in the conditions that we had. We had a lot of villagers coming up to us asking to have their compounds painted. Bushdwellers are going to try to get back to Kubuneh every couple of weeks to keep painting, and I know Lucy and Matt are looking to come back early next year to continue the job that they started.

I learnt a lot this year, not just about the conditions and time of year to run the project, but also about what the artists needed to get the job done, and also what was expected back at base. Unfortunately James my business partner had a nasty bout of malaria 2 days into the project, which left me trying to run the lodge, make sure the artists were taken care of, trying to get paint on the walls as half of Bushdwellers and making sure James took his medication and saw the Dr. twice a day. There were a couple of people on the team who failed to take this into account and as a result I got more pressure than was needed, but you live and learn. Next year I will make sure I don’t leave myself vulnerable in any way. It was the first year, so you expect problems. Year two will be bigger and better and nothing will be left to chance! On the whole though everyone involved really got into the project and gave 100% to the village, which was the whole point of the project.

The kids of Kubuneh admire Xenz's birds

The kids of Kubuneh admire Xenz's birds. Image by {link:http://www.flickr.com/photos/eelus/5122913583/in/pool-1581914@N22/}Eelus{/link}

TGB: How did the people in the villages respond to the presence of the artists? Did they get much involved with the creation of the pieces?

Lawrence: From the moment we arrived in Kubuneh, we were greeted by the Village Development Committee, who assigned people from the village to help each of the artists out while we were there. We were all made to feel so welcome in the village that it actually went way beyond my expectations of what to expect. I must admit that I was expecting some resistance, but we encountered zero.

Xenz got the kids painting before he had even done a piece himself, and Lucy made friends with a family and young girl that was amazing to see. The excitement from the kids at the workshops was amazing. Eelus and Xenz went to a school in Makumbaya village and spent the day showing kids how to stencil and free hand graffiti, and Lucy, Matt and Njogu went to the school in Kubuneh. Lucy got the kids painting self portraits on the wall of the school. It looks fantastic!!!

TGB: What about practically – in terms of the paint and the environment etc: will the installations fade considerably over time? How do you feel about that?

Lawrence: In the African sun the paint will fade over time, but that is the case with anything. We are going to keep running the project and eventually we will return to each village to repaint, when they are starting to not look so good. Sabotaz use all natural ingredients in their paint, and we are keeping all the empty paint canisters which we plan to recycle in the future, and maybe even use to make a lodge out of! Also the amount of paint that went on to some of the compounds, will definitely help to protect the mud walls. Some of the compounds will not outlast the paint on them. Bushdwellers painted a wall in Kubuneh 2 years ago, and when we returned the wall had already fallen down! It is sad to see the decay, but hopefully money will be generated through this project, that will go back into the village as a whole, which will help to increase the living standards of all the people that live there, including the houses that they live in. There are quite a few buckets of paint left from the Sabotaz donation, and it was the wish of all the artists that we donate the paint to the village, so that they can add some protection to their houses.

Fire nymph by Eelus; background by Broken Crow Mike. Image by {link:http://www.flickr.com/photos/eelus/5123518962/in/pool-1581914@N22/}Eelus{/link}

TGB: What of the project’s legacy, both in terms of what it may have done for the villages and the people involved, and for The Gambia in general? Will it be something visitors to Makasutu can get to see easily?

Lawrence: Hopefully everyone involved in the project will have gained some knowledge and inspiration from their time in Africa, and will continue to spread the word of The Gambia and also Wide Open Walls where ever they may be in the world. I am excited to see how this experience will influence the artists work to come in the future. Logan Hicks produces work based on his previous travel experience, and then takes those pieces to the next destination that he goes to paint in. Really looking forward to see the results of that.

As for the village, we now need to start raising money so the villagers can see that there is a benefit other than just having pretty walls. Eelus has said that he will produce a print of one of his pieces that he did here, and donate a portion of the money to the Ballabu Project. I hope that this will inspire some of the other artists to do similar things. Xenz painted two canvases at a reception that the GTA / Kairaba Hotel threw for the artists. Those will be auctioned off in the future, probably in the uk, as we are hoping to get them shipped back for an exhibition of some sorts at the Eden Project. We are also looking at getting post cards printed, and T shirts made to sell to the visitors that come to Kubuneh. Makasutu are about to start linking Kubuneh in to their day excursion, where an amount of money will be given to the Ballabu Project for every tourist that goes to the village.

I think The legacy for The Gambia is going to be incredible. Our small nation is becoming known for street art around the world, and hopefully we can start to encourage tourists to come here and watch the artists at work. There are other festivals in Europe that do something similar. We are also looking to bring bands over to play at the same time, and also possibly link it in with a tattoo convention. All on a small scale to start off with but from small seeds big Baobab trees grow!

Year Two is already in the planning stages. It will be in June 2011, when the climate is a lot more friendly to artists. We have a couple of names interested from South Africa. Check out www.writeonafrica.com This is Ricky Lee Gordon’s (street name Freddy Sam) amazing project and he is now on board for 2011, and has suggested some incredible artists already. I am excited to link South Africa with The Gambia, and start to make Wide Open Walls more of an African event in the future. This year we had an amazing group of artists, but it was all UK/USA based. It will be nice to mix it up a bit in the years to come, and see how the different continents can inspire each other!

I would like to thank ALL of the artists that were involved this year, sorry if things did not run as smoothly as they should have but things will be better next time around. I hope that all of you return to The Gambia in future years to take part in WOW again, it was a pleasure to meet you all and to get a chance to work alongside the best in the business. It was inspiring to say the least!

Viva le mud walls!

Climbing Kilimanjaro to build a school in The Gambia

In August 2010 Hannah Braye climbed Mount Kilimanjaro in memory of her friend Lucy raising over £1,000. This will go to help build a school in Dairuharu in Brikama and the first classroom being built will be dedicated to Lucy, a former Gambia Experience client.
The following are some highlights from Hannah’s fascinating account of her climb. Her determination is a real inspiration and I’m sure Lucy would be very proud of her. Hannah’s account can be read in full on “Nyodema’s” blogsite.

Alice, Emmanuel and Hannah

Day 1 – Londorossi to Big Tree Camp
So today is the first day of our Kilimanjaro trek. Alice and I met our guide Emmanuel yesterday evening (we are the only two in our walking group). He is 26 years old and has been walking the mountain since he was 17, working his way up from porter to waiter, to cook, to assistant guide and finally guide.

We set off early from the hotel. The jeep ride once we get into the national park is extremely bumpy. I am sat in the back seat; there are only a few inches between the roof and my head, which takes quite a beating. How Alice manages to drop off for a cat nap is beyond me! From the gate where we sign in we can make out Mount Meru’s peak hazy in the distance.

We drive past the local potato farmers who are collecting in their crop and finally alight at the foot of the rain forest in the early afternoon. This is where our adventure begins.

The walk through the rain forest is fairly steep but we take it “Poley Poley” (slowly slowly). At times the pace seems almost ridiculous but Emmanuel tells us it is the best way for us to acclimatize.

Day 2 – Big Tree Camp to Shira 1
The day starts with breakfast of a similar size to last night’s dinner. The porridge is a particular challenge. Tanzanian porridge is brown and very watery the oats have been completely ground up. It tastes of little until large dollops of Tanzanian jam, which is as sweet as opal fruits, are added. The porridge will become a daily challenge for some of us. It takes Alice 3 days to pluck up the courage just to try it. Before we set off the porters of an American group also staying at the camp sing a song about the mountain. It is a song that Emmanuel will sing to us many times as we walk. Some of the lyrics are Akuna Matata (which means no worries in Swahili, as most of you will know from a certain Disney movie about a lion cub). I actually prefer the porter’s song to Elton John’s.

As we head higher the rainforest stops abruptly and turns into alpine forest. The trail is narrow and head high plants grow on either side of us. Now we are out of the forest the sun is hot and trail becomes increasingly steep.

We walk for about 4 hours and as the path gets dustier and steeper I put my camera away in my back pack. Of course a minute later we round the Shira ridge and against the perfect blue sky we catch our first glimpse of Kibo, the Kilimanjaro summit, its white glaciers glinting in the distance.

We are camping at Shira 1 camp on the plateau which is at 3500m. At this altitude even just turning over in your sleeping bag gets you out of breath. This coupled with the 4 ½ litres of water we have drunk during the day and the diamox tablets we are taking to prevent altitude sickness (the main side effects of which are tingling hands and feet and an inexplicable need to wee continuously) makes for a broken nights sleep.

Day 3 – Shira 1 to Shira 2
Today we are doing an easy walk for 3-4 hours across the plateau. It is one of the acclimatisation days built into our route to give us the best chance at reaching the summit. The plants in the moorland are beautiful and Emmanuel laughs at how many photos I stop and take.
The sun is very strong today and Alice and I both start to burn despite using factor 40 sun block. As we near the edge of the plateau we realise why. We are above the clouds! They stretch out below us, soft, white and fluffy, the kind that you just want to roll around in. I remark that it’s like looking out of an aeroplane window. Emmanuel is intrigued to know whether planes have windows and whether you can open them. He says he hopes to fly someday. We discuss some of the places he could go and suggest England, although he seems unsure about the weather. It’s a bit of a reality check given how much we take just getting on a plane and hopping to another country for granted. I really hope he gets to fly one day.

Day 4 – Shira 2 to Barranco Camp
Today is a harder days walking. We are ascending to 4600m before dropping back down to 3850 to camp, as this will help us to acclimatize. As we climb steadily higher the moorland fades out into rocky terrain with large boulders scattered about and not much growing. Alice isn’t feeling well with the altitude at this height and it is a bit of a wake up call that this isn’t just a lovely little walk we are doing.

As we walk Emmanuel teaches us some Swahili. His favourite phrase is ‘poa kachizi coma dizi’, (pronounced porky cheesy camondeesy). This translates as ‘super cool like crazy banana’. We think something maybe lost in the translation! We teach Emmanuel ‘easy peasy lemon squeezy’ in return – something I come to regret on summit night when, whilst I have my head between my legs in an attempt not to pass out, Emmanuel insists the walk is easy peasy lemon squeezy! My favourite Swahili phrase I have learnt so far is ‘la la salama’ which means sleep well, which I certainly did that evening after the exertions of the day.

Day 5 – Barranco to Karanga Camp
One of the strangest effects of the altitude are the crazy dreams that you have. The sleep is much lighter and I find I am having 3 or 4 memorable dreams a night.

The start of today’s walk was not so much of a walk as a climb up the cliff face opposite camp. The fact that there are no photos of this part of the trek is testament to how steep the trail was.

The rest of the walk is up and down, up and down for about 3 hours. We climb to 4200m but descend to 4100m to camp at Karanga, which in Swahili apparently means peanut. It feels like we are camped on the edge of the world.

As we are camping higher than we have before the wind is much stronger. Most of our tents don’t have any pegs and the porters use large rocks to pin them down. During dinner the mess tent takes a real battering and it feels at one point like it might actually be blown off the mountain. A miniature dust storm swirls up around us from the floor and our food becomes all of a sudden crunchy. We each hang on to a corner of the tent with one hand and a pole/plate/table or whatever we can get hold of with the other. It is at this point that Matt decides to break into a rendition of Gloria Gayner’s ‘I Will Survive’ at the top of his voice which sends us all into hysterics and bowls and plates flying.

Day 6 – Karanga to Barafu Camp
Today is only 3 hours walk up to 4600m as we need to rest in the afternoon for the summit attempt tonight, although the trail is quite steep.

Barafu means ice in Swahili, which is extremely fitting. There aren’t many redeeming features to Barafu. The wind is biting cold and so noisy. The terrain is like being on the moon, thick dust swirls into the air and is constantly in your eyes and throat. Even the ravens don’t inhabit Barafu. The wind is so strong our toilet tent stands no chance of staying upright and the long drops are positioned right on the edge of an exposed ridge so that the wind howls under the tin roof and a blasting ice draft blows up from underneath you. There is however a beautiful view of the neighbouring mountain. It is also over 5000m but it is a technical climb so not many people attempt it. Its peaks look like the turrets of a castle and it reminds me a little of Tryfan in North Wales.

At our early dinner we stock up on carbohydrates and I think the nerves start to show on everyone as we prepare for summit night. We go to our tents and attempt to sleep but at this altitude and with the wind shaking the tent continuously around us I’m not able to drop off. If I reach the summit I will already have been awake for 24 hours.

We gather in the mess tent at 11pm for tea and biscuits. Alice and I polish off an entire bar of dairy milk in preparation for what lies ahead. One might have thought that I was fairly prepared for the summit. I had fared well so far, not suffering with any symptoms of altitude. I had taken double the dose of diamox to the previous days, as instructed and I was toasty warm, my summit outfit consisting of 2 pairs of thermal leggings, walking trousers, waterproof trousers, 4 layers of thermal tops, a thick fleece, a down jacket, a waterproof jacket, 2 pairs of gloves, a fleece hat and a ski mask. But I’m not sure anything can fully prepare you for summit night!

We start off ‘poley poley’ as ever. The moon is only one night short of full and the path is illuminated in front of us. Emmanuel and Frank don’t use head torches. However we’ve only been walking an hour or so when the queasiness sets in. This can be controlled fairly easily by continuous burping but Frank has to carry Alice’s backpack for her from early on. As we pass 5000m I start to feel light headed. I have a pocket full of sweets which I munch on continuously in an attempt to keep my blood sugar up (apparently it plummets drastically at extreme altitude). The further we go the more the yellow dots start to dance in front of my eyes to the point when I can hardly see the floor below me and with every step I feel as though I could pass out. Emmanuel doesn’t let us rest long, constantly calling “twende twende” (lets go, lets go), as the trail is extremely exposed to the wind and there are few places to shelter. Soon I too have to surrender my back pack to him to. The temperature drops to -15 degrees. The first things I lose feeling in are my hands, then my feet and face. It’s around this time that I start to compose the email in my head…the email explaining to everyone who had sponsored me that I didn’t make it to the top.

It is only down to Emmanuel and Frank and the way they look after us that we manage to struggle on through the next few hours. Frank does up my shoes laces when my hands stop working because of the cold. They give us their walking poles and head torch when mine runs out, rub our hands to get the feeling back, get the water from my back pack (the only bottle that hasn’t frozen solid) and pour it in to our mouths. And all the while Emmanuel sings to us.

Gradually my head starts to clear slightly. I think my brain can only concentrate on either the cold or the lack of oxygen but not both at the same time. We find our rhythm. We’ve been walking for 5 hours at this point but all I have is what feels like a few minutes of conscious memory. Just as I start to fear the mountain may be starting to get the better of me again, Emmanuel announces that we are nearing Stellar Point, where we join the crater rim. From there it is only 45 minutes to an hour to Uhuru Peak, the summit. The timing is perfect to give us hope. I know that if I can make it to Stellar point there’s no way I won’t make it to the summit, I’ll have come too far. However, Emmanuel may have been a little premature in his announcement as it feels another age before I look up from the floor to realise we are on the rim and Emmanuel is gathering us together for a group hug. It’s 5am.

Up on the summit the temperature falls further to -20 degrees. It’s so cold that the boiled sweets I’m sucking won’t melt in my mouth anymore and I have to spit them out. As we follow the edge of the crater round there are dark shapes appearing all around us and icicles grow vertically up from the floor.

Unlike the last 5 hours the last hour passes in a heartbeat as I anticipate the exhilaration of reaching the top. And all of a sudden we are there!

With the light comes a feeling of great joy and achievement and another round of hugs. It also illuminates the precarious nature of our journey around the crater rim at times!

I feel like I could stay on the top of the mountain forever. But it is still well below freezing and we have to keep moving. We begin the long descent down. If I didn’t know that only an hour or so earlier I had walked up the same path I never would have guessed. The mountain is thick dust that your feet sink down into. All I have the energy to feel is relief that I made it. The sun becomes increasingly hot and slowly the feeling returns to my extremities in a flash of pins and needles, all except the fingers of my right hand, which stubbornly remain numb for the next week!

So now the adventure is over and I reflect on it all. We’ve been through a lot, wind, rain, glaring heat and dust storms. There have been tears (me secretly at the top), singing and a lot of laughter. We are filthy, bedraggled and greasy. There have been the inevitable toilet issues along with nosebleeds, black toenails, sunburn and an awful lot of snot. It is impossible to hang on to much dignity when walking Kilimanjaro. But as Alex so rightly put it at our last meal together, you regain it all and more when you reach to the top.

OH Films presents The Mirror Boy

Lawrence from Makasutu and engineer in chief of the Wide Open Walls project (more of which shortly!) has posted this trailer for a new film Mirror Boy on the Gambia facebook page. No word as to whether this is going to get a general release as yet, but it looks like a fascinating project and those brief glimpses of the Gambia are spine-tingling. If anyone has any more details on the film, then do please get in touch!

The plot synopsis is as follows:

Mirror Boy is an enthralling journey through Gambia, seen through the eyes of London-born 12 year old Tijan (Edward Kagutuzi). Getting involved in a street fight, in which a boy is hurt, his mother (Genevieve Nnaji) decides to take him to the Gambia to live with her sister. On their arrival in Banjul, Tijan encounters an apparition of a boy smiling at him in a mirror and vanishing. Seeing the same boy in a crowded street market the next day sets in motion a chain of events that culminates in him getting lost. While Tijan’s panic-stricken mother struggles to find her son in an intriguing game of survival brinkmanship, Tijan is left alone in the company of the enigmatic Mirror Boy, who is only visible to him. A bruising spiritual rite of passage, Mirror Boy takes Tijan on a magical and mystical journey.

Wide Open Walls: the return. An interview with Eelus

And so it came to pass that the first Wide Open Walls project came to a close, and returned 8 tired, weathered street artists, heads abuzz with memories, to their home countries for a much needed rest and a bath. They left behind, shimmering in the Gambian heat, some excellent art pieces – all adorning the outsides of houses, of mud huts and compound walls; and all a work of collaboration – with the people of Kubuneh village and with the harsh unforgiving environment.

Such is the nature of the project that the ideal would be to stumble across these installations unawares. You have to wonder how you might think of them out there in the Gambian bush: as spontaneous creations, primitive art forms, as a product of the environment? As it stands though, anyone can venture upriver from Mandina and see the paintings in situ. And as the project already has a tentative schedule for next year, who know where it is all going to lead?

We spoke to Eelus, the curator of Wide Open Walls 2010, before the project began, and here we speak to him after the event about the problems the artists faced and his hopes for the future of the project.

Eelus in action

Eelus in action

TGB: So from this distance, how did you feel the whole project went?

Eelus: I feel the project went great. We faced daily challenges of all kinds but the team took everything in their stride and produced amazing work under difficult and unpredictable conditions. The people of Kubuneh village seemed happy and excited about why we were there and the art we were producing, the only down side was that we just didn’t have the time or the manpower to cover more wall space and keep everyone happy. But we did the best we could in the time we had.

TGB: Do you think you achieved everything you set out to achieve?

Eelus: I think the artists went above and beyond what was expected of them. The village has new life breathed into it that will amaze tourists if they make the effort to go and see for themselves, and so in turn sustainable tourism will be encouraged within the village. The artists have done their part of the job but the project isn’t over. The organisers of the project need to continue their effort and assist the village in creating revenue from the new found fame that has fallen onto Kubuneh.

A lion, waits

A lion, waits

TGB: How did the people in the villages respond to your presence? Did they get involved with the creation of the pieces?

Eelus: They welcomed us with open arms on a daily basis and made us feel relaxed and at home. The only problems we encountered were down to lack of man power and organisation, if we had more of each, we’d have been able to cover more walls and keep more of the villagers happy. Because of course, if you paint one house, the house next door is jealous and wants something, and then their neighbour wants a piece painted and so on. So in that respect the pressure was on, but I think ultimately the villagers new we were there working for the good of the entire village.

Lucy McLauchlan at work

Lucy McLauchlan at work

TGB: What did you think of The Gambia – was it what you expected? Is it somewhere you’d like to return to? (Perhaps for a holiday, and when it’s not quite so hot!)

Eelus: Yeah, the heat was insane. I don’t think I’ve sweated so much in my life. I enjoyed my time in the Gambia, the majority of the people I met were very friendly and welcoming, the main draw for me was the nature and wildlife. The bird life was stunning and you were constantly surrounded by interesting bugs and creatures. I’m not sure if I’d return, simply because the world is a big place and I feel I’ve seen very little. Gambia is now ticked off the list so it’s time to move on.

TGB: What of the project’s legacy, both in terms of what it may have done for the villages and the people involved, and for The Gambia in general?

Eelus: Well hopefully the art in Kubuneh will succeed in bringing tourists to take a look for themselves and help the locals improve their financial situation which ultimately filters down to the younger generations as well as hopefully helping the school and medical centre. I hope the project continues and goes from strength to strength and takes art to the walls of other surrounding villages of the Ballabu to help them in the same way.

Thanks again to Eelus for answering these questions. Here’s to next year’s endeavours. See below for a Flickr slideshow of some images from this year’s event – include photographs from Eelus, Broken Crow, Logan Hicks, Ian Cox and more.


Created with Admarket’s flickrSLiDR.

Lynn’s Journey to The Gambia

We have seen an increasing number of volunteers travelling to The Gambia, and with various organisations. The VSO is a venerable organisation and has achieved an astonishing amount around the globe; and when our attention was drawn to a blog written by a VSO volunteer working on a scheme for improving education in Gambian schools we wanted to share it and lend our support! You can read Lynn Sellwood’s blog here, where she details the trials and tribulations anyone who has been to The Gambia will be familiar with. Lynn was also one of the first on the scene for the Wide Open Walls project, more of which soon… We look forward to her regular updates and photographs.